Sunday, March 29, 2009

The Lovely Local News

3/24/2009 KARE11 10:00pm

News:Fargo Flood: 3 min.
- Sandbagging
- Weather
- Cresting
- Begging for Volunteers

News:Breckinridge Flood: 1 min.

News:Bismark Flood: 1 min.

News/Weather:Duluth Ice Storm: 30 sec.

News:Elderly couple murder in Hudson, WI: 1 min.

News:Missing man in Crystal Lake
: 45 sec.

News/Consumer Safety:Charges against Sarah Jane Olson for Voter Fraud
: 3 ½ min.

News:Obama speech about economic recovery
: 1 min.

News/Human Interest:Statue of Liberty Crown opening up: 30 sec.

Consumer Interest:Credit Crunch: 5 min.

Weather:Weather
: 5 min.

Sports:Sports
: 6 min.

Entertainment:Dog Stuck in Tree: 1 min.

Random comments from anchors with weather wrap up: 1 min.

I chose, for this blogpost, to watch KARE11 News because the other local news shows make me kind of depressed for a variety of reasons that I won’t get into right now…

Looking at the above breakdown of the news, you can see that there was actually a lot of actual news going on in this particular broadcast. I was actually quite impressed! I have to admit that I was a bit disappointed with the lack of world news coverage and short time slots allotted to some of the more dramatic local news stories, but they only have 30 minutes.

I picked a pretty unique broadcast to watch; there was a lot of local tragedy going on with the flooding of the Red River Valley so the rhetoric was rather matter of fact. There was a bit of emotional appeal going on in requesting volunteers, but who can fault them for that?

The only part of this particular broadcast that made me raise an eyebrow was the story about Sarah Jane Olson’s return to Minnesota and the possibility of indicting her on voter fraud. It started out as a kind of alert story implied by the urgent speaking tone of the anchors. What transpired, was completely different than what I had anticipated. The people interviewed for this story seemed completely indifferent to Olson’s return and possible voter fraud because she had already spent time in prison. The only person in the whole story to show any concern at all was a state senator, whose name escapes me. KARE11 even went so far as to interview the attorney general about the issue…which is, apparently, a total non issue. Olson had been investigated for voter fraud before and they came up with nothing. It seemed that KARE11 was implying that this woman should just be left alone at this point. I would almost call this segment an entertainment piece because I found the entire topic quite amusing.

What always surprises me about local news is the amount of time the shows spend on weather and sports. I know that weather can be a big factor in peoples’ lives, so it makes sense that a local station would spend so much time on it, but the sports stories can sometimes drag on an on for no apparent reason. On this particular night, they spent a lot of time highlighting scores, which seems legitimate, but I know that in the past KARE11 has spent a lot of time with the “Perk at Play” segment and human interest stories based on local athletes. This suggests that they are playing to our community’s want to know more about personal stories, or are trying to keep us from feeling too negative about the state of things. In other, national, news broadcasts, they tend to focus a lot more on the economy, corrupt politicians, and war.

Wednesday, March 25, 2009

Anonymity and Empathy...or Not

One of the things I like to do in the mornings is peruse the Star Tribune website to see what’s happening in the city. Over the past few months, my interest has transferred from the actual articles to the comments left by other readers. They consistently entertain me because of the sheer range of attitudes they cover. When I was thinking about what to analyze for this week’s post, I had a few options but decided on the comment section of a Star Tribune article when I saw one with which I have a personal connection: “Cold and wide and shallow: Anxiety hits the Red River Valley". Having grown up in this area and living through the flood of 1997, I felt I had a bit of expertise in such matters.
In the past, I’ve noticed that the comment sections in these articles typically follow a pattern in which three to four major threads develop with sporadic thoughts intertwined. The major threads typically turn into pointed arguments in which some members simply try to discredit other view points while others resort to direct, personal attacks. Rarely, does anybody change anybody else’s mind; at least the comment sections never include enough information to reasonably assume so.
When I came across the article about the flooding, there were a mere five comments. I didn’t feel that was enough to warrant interaction, so I “lurked” until I was able to amass a collection of 29 comments. At first glance, it appeared that the comments were going to follow the typical pattern, but I noticed some irregularities; presumably because many of the posts came from people with personal connections to the Red River Valley.
In looking at the posts, I kept careful note of the tone of each comment, the different viewpoints presented, and how many people posted in response to others. What surprised me most was the sarcastic tone taken by many of the participants of this particular thread. Stories like this have historically brought on critical viewpoints of people in trouble, but the cavalier attitude people threw at the victims of this year’s flood seem more poingiant than usual. One person writes, “They made their bed, now they have to sleep in it. Or at least that's how it should be. But nope, we have to pour hundreds of millions of dollars into flood control to subsidize their stupidity” referring to the people that are asking for help with sandbagging. This pretty much sums up one of the major attitudes present.

The other major tone present in the Red River Valley Flood thread can best be described as academically condescending. In between the sarcastic jibes and name calling, a few participants posted well thought out, yet rather condescending, arguments in support of the people living in the flood plain or suggesting that they relocate. One participant writes this about the flat spots near rivers: “This is the flood plain and virtually all rivers in an unmodified (natural) state have them. It's the way rivers deal with spring runoff and it IS the adaption. It also tends to make rich farmland as the finer, easier to suspend soil is what's carried by the water”. This is one of the more tame posts present on the thread. The strange part is that these logical and academic posts rarely see a response. In fact, on this thread, none of them did. The only ones that received replies were the sarcastic ones and the few that employed personal attacks.

The personal attack posts are rare, but they did make a few appearances on this thread. One person writes in response to this comment about the people in the Red River Valley, “Move. Problem solved” with “What ever you name is, next time you eat a piece of food, remember, the good folks in the Midwest created it it for your foul mouth..so if they would ..MOVE. you would starve”. What strikes me most about this is the reference to the original poster’s “foul mouth”. There was nothing foul in the original post. This kind of behavior usually goes back and forth for up to six posts, but in this instance, the interaction stopped after this one exchange.
Beach writes about the possibilities of anonymity available to online chats, blogs, and wikis, which, I think, have a lot to do with the different attitudes on this thread; especially the rather crass and sarcastic ones. When one chooses to comment on the Star Tribune website, they must create a username, but there are no rules about what you must call yourself. In fact, it’s very difficult to track down the people behind the usernames at all, which I found out in an effort to ask some of them a question or two about their posts. Since these people are free to choose any identity with no real thought of any consequences for their comments, they seem to communicate much more honestly to the point of becoming offensive.
In a society where empathy and courtesy have high value, I was surprised at the level of judgment and rudeness in these posts, even with the anonymity. Instead of trying to relate to the suffering people of the Red River Valley and offering ways in which they might help with the current crisis, people attacked their “choice” in living there and each other for attempting to defend the flood victims. I could think of only two possibilities for this behavior: 1. These people have become so self absorbed that they have lost the ability to empathize, or 2. These people come from a background of means and have no real concept of how big of a deal it is to move to another city on a whim. I guess a third reason could exist: people just like to complain about things and this anonymous comment format allows them to do it without fear of any backlash. Since I couldn’t find a way to contact the posters directly, for the time being, I won’t be able to find out.

Monday, March 9, 2009

The Stupid Father

When I worked as a Snap Fitness manager, there was this woman that would come in and watch the “Lifetime” network every single day. She would watch during the time when they, apparently, played all of those shows with the stupid, overweight father married to a supermodel. Every show was the same stupid plot with different actors. I became fascinated by my hatred of these shows and figured it would be a good place to start for this post.

I remember seeing lots of shows on “Nick at Night” as a child in which the father was a wise man capable of solving complex problems for his family with time left for ice cream and a laugh at the end of the show. It seems that in more modern shows, the fathers are all idiots. It’s like watching a show where my most irresponsible and inept friends have real responsibilities and the whole thing just makes me angry; especially since there are so many shows like this on TV right now.

A few clips of what I'm referencing:
"Still Standing"

"According to Jim"

"Home Improvement" (go to the 2:00 minute mark)

Apparently, I’m not alone in this observation. In doing a bit of research, I found many articles that commented on this phenomenon and suggested a variety of possible reasons for this. The main two are:

Rise of Feminism
In this school of thought, the idea is that these “buffoon” fathers came to be out of a need to offset the previous model of helpless out of the house wives. The problem I have with this idea is that despite the fact that the woman is smarter in these types of shows, she rarely works and ends up spending most of her time fixing all of the stupid mistakes made by the father whether in or out of the family. I don’t like this argument because it seems that it’s just another form of what we had before; a woman whose job it is to take care of her man. It also raises the question: why isn’t there a show in which a supermodel male is married to a less than “ideal” woman? I think I see a double standard here…

Masculine Ambiguity of the 1950s
If you buy into this one, it all starts out with Playboy. Apparently, when Playboy rose to fame because men were having hard time dealing with the constraints of marriage and families. Playboy glorified the bachelor lifestyle unapologetically, which lead to this idea that men were to behave in a certain way (don’t talk about feelings, be strong, get women, make money, drink scotch and wine). This kind of behavior seems fine, and often desirable, in many contexts. The belief is that it led to the current “buffoon” father figure because it suggested that a man’s priorities should lie elsewhere, which is why TV fathers seem so stupid all the time.

Stewart Hall comments often about how media re-presents reality so it’s based on some sort of truth out there. This may be true, but I worry about how playing up a small sample of men in a negative way might affect the population as a whole. I just spent a weekend in Las Vegas visiting some friends and saw the following instances that made me think even more about this blog post:

On the shuttle, a family gets on and there is only one seat left. The father sits down while his family is forced to sit on the floor with the bags. The father seemed completely oblivious as to why his wife was upset with him as she tried to keep the toddlers in line and safe as the shuttle rattled down the road. The father spent this time checking sports scores on his Blackberry. Perhaps this man was just a jerk, but boy did he play into the stereotype.

At Red Rock Canyon, which is a beautiful place to hike, a woman was trying desperately to keep her kids from wandering too close to the cliffs as they scrambled across the rocks. The father slept in the car listening to talk radio. When the kids whined, the father rolled the window up. Nice.

There were more instances in which it seemed men were playing into the media’s portrayal of the stupid father, but these were the best two. Sure, it’s possible that the shows are based on men like this, but these guys fit the stereotype so well (physically as well as personally) that it seemed like they made it their life’s ambition to be like that guy on that stupid show “Still Standing”.

I understand how these media portrayals came to be, but I still struggle with the idea that they were/are necessary for men to have an identity. I, personally, don’t identify with any of them. It seems that we should be trying to come up with characters that function in a realistic, team manner, much like a successful marriage does in reality. Two smart people that look average and don’t spend a lot of time trying to underhand each other in some sort of stupid power struggle that doesn’t really go anywhere. Wouldn’t that be something?

Sunday, March 1, 2009

My Agent: Creepy, yet effective



The whole idea of conversational agents is really awesome, but wow. When would I, as a single junior high teacher, have time to put together such a fabulous database of possible answers and questions? I would very much like to try to utilize this type of virtual help down the line, but for the time being, it would have to be something someone else has already designed.

I think it would be cool to try these with students and have them talk to each other. I would be curious to see how the conversations would go in that type of a setting; especially if we could have a class that knows I will read them and a class that knows I will not (even though I would) to see the discrepancies in conversations. I'm actually surprised no one has done this before.

Sunday, February 15, 2009

What does this MEAN??!! : Critical Theories for Analyzing Media

Semiotic:
I like this theoretical approach because it allows multiple interpretations within a single theory. The whole idea of symbols and culture is very true to life as one can see when studying color connotations. Red, for example, can mean passion, anger, or authority depending upon the cultural lens one places between the color and their interpreting eye. The whole theory is based upon how meaning is created rather than what the meaning is. I find myself leaning towards this approach to most of the texts I teach in class because I ask my students to spend more time on their explanations of an assigned meaning than the meaning itself. I put little stock in the end result if my students are not aware, themselves, of how they got there in the first place. One way in which I teach this to my students is to present them with vague pictures that, I feel, have some sort of a connection to what we will be/are studying. Without any priming, I have the students jot down any thoughts they have about the image components and then hypothesize as to why this particular image is in class. As we go around the room, each student tells the class how they arrived at their conclusion. The different answers that result seem to run along cultural lines, which I find fascinating.

Feminist:
I’ve also been a long time fan of feminist readings of various media. The whole idea of gender roles interests me because despite our society’s grandstanding about how far we’ve come, most media portrayals would suggest otherwise. Using a feminist lens to view media makes this much more obvious. In recent years, there has been a boost of strong women characters in action movies. In many cases, these women are incredibly independent, which is a positive step, but they also still cling to an idealized form of beauty often achieved with editing techniques and makeup. Also, Beach’s discussion of wrestling and the Coors commercials suggests that media still clings to antiquated ideas of what males should be as well. The beer drinking, football loving, slightly overweight men depicted as fans of these things constantly lust, often successfully, after the idealized women. Another, more recent example, exists in the Swiffer commercials where a woman is the target of a, seemingly male, mop’s attempt at winning her back through romantic gestures. In each case, the woman rejects the advances of the cleaning tools, which suggests strength, but at the same time it is always a woman in charge of the cleaning, and the tools are always depicted as males; and rather stupid ones at that. It seems that the feminist lens is a very effective way to break down the fantasy land that media often thrusts upon us.

Post Colonial:
Post Colonial readings of texts seem geared to best deal with stereotypes placed upon non westerners. Traditionally, non European minorities have been depicted as exotic and primitive beings; usually people from Africa, the Middle East, and Asia. Post Colonial theory looks at these regions and people in a way that takes into account the western influences placed on them. In class, just the other day, we were looking at an old “Frito Bandito” commercial as a way to build discussion of stereotypes. My students were quick to point out the dress (poncho, sombrero, bandoliers, and guns), outrageous accent, and physical features (short, insane mustache, beady eyes) of the cartoon character meant to be a typical Hispanic man. In breaking down the stereotype, we commented on how it reminded all of us of the Mexican cowboy image from western movies. At one point in the conversation, an Hispanic student whom had been to Mexico many times to visit family commented that the only people that ever wore sombreros in Mexico were American tourists and men that made a living catering to them in a mariachi band. He went on to say that they dress just like all of us unless they’re trying to get money from Americans because they know what Americans “expect” of them. Shortly after this comment, another student spoke up saying, “you know, I don’t think I’ve ever seen a Hispanic person eat Fritos before. Like, ever!” We wrapped up the conversation by talking about the different ways both cultures influenced each other to perpetuate the stereotype depicted by the Frito Bandito. Best part: this all happened in an eighth grade classroom!

Rhetorical/Audience:
Since the September 11 attacks, this type of text reading seems more important than most. I believe it was Theodore Roosevelt that expressed an extreme hatred of “armchair parlor jingoes” because of their blind and often ignorant patriotism; especially when they did nothing to back up what they said. Since 2001, the media has done a good job at creating a forced sense of patriotism in many who before the attacks seemed rather ambivalent about the whole idea. Commercials, movies, and television shows started using more red, white, and blue in their images; touting American values; and even suggesting certain things that might be ‘anti-American’ with little or no evidence to support them. My favorite ploy was when the government came out and said (paraphrased, of course) that we should go out and spend our money, do our shopping so that the terrorists couldn’t have the satisfaction of having scared us. Soon after this, stores began running sales with patriotic themes offering incentives to buy large ticket items en masse. The media had effectively turned shopping into a patriotic exercise. I also like to watch the local Fox News station for good examples of stories that attempt to force a way of thinking for an audience. In a very informal way, I noticed a few winters ago how in every Fox newscast, there was a story about a fire, a “dangerous” everyday use product, and an over sensationalized version of the upcoming weather. Basically, scariest newscast imaginable every single night. It is apparently in Fox’s best interest to keep the public scared about something. What that something is doesn’t really matter.

Critical Discourse Analysis:
I find this one to have a lot of real world applications and, without mentioning the actual title of it, find myself dishing out CDA in my classroom most of the time. The suggestion that a particular discourse is greatly responsible in assigning identity rings true in almost any situation. Lawyers root their identities in the discourse of the law, different classes root their identities in a common language and behavior sets as do races and age groups. In addition to forming identities, these different discourses can come together to help create meaning. I was having a discussion with a former student the other day about his current legal trouble. He came out of a store and saw somebody scratching the paint on his truck. He approached the vandal and broke his nose by smashing his head against the truck and then holding him there until the police arrived. He was mystified as to why he ended up in trouble as well as the vandal. He claimed he “had the right to retaliate” in this situation. He was operating under the discourse of his stereotypical white, southern male culture in which retaliation equates with physical violence; something I saw quite often while teaching in the Shenandoah Valley. The problem was that he was actually operating in a legal discourse in which one’s rights are described in great detail. What he did, did not qualify. Without the proper discourse, he could not effectively assign the correct meaning to the actions that occurred and therefore did not understand why he was being held accountable for anything at all. I think it is important for us as educators to hit CDA theory well with our students so that they understand the importance of code switching and when it is appropriate to use one set of discourse rules over another depending upon the situation or text presented to them.

Sunday, February 8, 2009

Serious Absurdity

Have you seen that weird "Nannerpuss" commercial before? You know, the one that announced the free breakfast at Denny's? Well, here's a mildly academic discussion of it via video ant. If it's hard to see, I apologize. I can redo it in a new format if this doesn't work out well.






A Great 2nd Turning Point

This scene comes from what I would call the second turning point of Michael Mann’s “Heat”. Much of the affects come from camera angles and shots as there is not much dialog to speak of.



As the scene opens, we see Neil McCauley and his crew in a nice 3-shot as they go over a plan, presumably, for their next heist. One gets a bit frustrated watching this shot because we don’t yet know where the crew is. In a film that has been very up front about the characters’ activities, this doesn’t sit well with a viewer.

We get a bit of a hint in the next 3 shot, which includes shipping containers. McCauley begins pointing out escape routes to his fellow thieves but we as viewers don’t yet know what’s going on here until the quick medium shots of a prone photographing, and listening detective break into the scene. It is now clear that this scene is here to show us that the crew if thieves is being tracked. The first sequence of this scene ends with a 2-shot of the detectives leaving their hidden post and a shot of the crew leaving in their vehicles.

The turn of events begins in the next sequence when the entire team of detectives walks onto the scene, taking the same path that McCauley and his crew did in the previous sequence. This suggests a possible change in positions between these two teams in a game of cat and mouse. However, the detectives are presented here in a series of establishing shots. This is the first time we can see exactly what the thieves have been casing; a bunch of shipping containers, a scrap yard, and an oil refinery. During the dialog between the detectives, we get an enhanced feeling of frustration and confusion through a series of close up shots of each detective as they attempt to discern what the next heist is going to be.

The close up shots of Detective Hanna have a slight difference to them. He is the only character with sunglasses on, which suggest he knows something the others don’t. As the sequence progresses, we see more close up shots of Hanna than the other detectives, which leads us to believe that we will also know what he knows. The other characters in the scene continue to look confused and frustrated.

Suddenly, the mood of the sequence changes as we are presented with a series of slower establishing shots from Hanna’s point of view. It’s at this point that he suggests to his fellow detectives that he might know what the thieves were looking for. At this point, the shots seem to “digress” as we get establishing shots of the detectives paired with low angle shots of Hanna suggesting his superiority over the others.

When Hanna finally says that the thieves are looking at “Us, the LAPD,” the shots of the detectives are shown only from high angles. In one case, an over the shoulder shot from McCauley, who has found a high perch from which to photograph the detectives. The entire sequence ends with the detectives in a subservient position (high angles and wide shots) and McCauley in a dominant position (low angles, high over the shoulder shots, and a close up of his grinning face). All of these elements come together to show us that the thieves are now in control. The second turning point of the film has occurred.

With the exception of one brief line at the end of this scene, I think it could serve as an excellent introduction lesson into the use of camera angles and editing to move plot and communicate ideas. Since the dialog is so sparse, a viewer has little choice in paying attention to the technical aspects of the scene.

As part of a larger unit or class, this scene would serve as a jumping point for a more comprehensive look at technical choices in media production for desired effects. Primetime TV shows constantly show us things that someone wants us to care about whether it be terrorists, certain products (a great scene in the 3rd season of "24" has a ridiculously large Ford truck grill in the foreground with the action happening almost as an after thought in the background), or even certain ideas of beauty. Learning ways in which producers, directors, and editors force our attention to certain things will help students start to question why we are to pay more attention to one thing over another in a media presentation.